Women Talking is an emotionally gripping and thought-provoking film that tells the story of a group of women living in a remote Mennonite community. After disco...
In his latest movie review, writer Nathaniel Bell reviews Dead for a Dollar, an action film made by American film director, screenwriters and producer Walter Hi...
In his latest piece for LA Weekly, film critic Nathaniel Bell reviews House Of Darkness, a film by Sundance darling Neil LaBute in collaboration with Saban Film...
In his latest piece, film critic Nathaniel Bell reviews Fall, deeming it a “corny yet satisfying new thriller.” Directed by Scott Mann and adapted from a screen...
The Tragedy of Macbeth, written and directed by Joel Coen, is a sincere, confidently stylized take on Shakespeare’s frequently adapted play – a medieval film no...
The Hand of God contains a dual meaning in its title. It refers to both the feeling of divine providence as well as a controversial goal scored by Argentine foo...
The Power of the Dog, Jane Campion’s first feature in 12 years, is well worth the wait. A creepingly sinister drama set in 1924, the film is an exceptionally we...
Kenneth Branagh’s Belfast, which he wrote and directed, is a sweet, sentimental treatment of a durable cinematic sub-genre: the childhood autobiography.
Bran...
Bergman Island refers to Fårö, the 43-square-mile body of land off the Swedish coast where legendary filmmaker Ingmar Bergman lived and worked. In the wake of B...
Clint Eastwood’s 41st film as director, Cry Macho, is much like the nonagenarian himself: slow-moving, a bit stiff around the joints, but confident and noble-he...
